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The ''saz semai'' is also spelled ''saz sema'i'', ''saz sema-i'', ''saz sema i'', ''saz semaī'', ''saz semâ'î'', ''sazsemai'', ''saz semaisi'', or ''sazsemaisi''. In the Arab world, it is called ''Samâi''. It is an instrumental form in Ottoman classical music. It was typically the closing movement of a ''fasıl'' (suite). The ''saz semai'' was metered and typically used the ''usul'' (rhythmic structure) called ''Aksak Semai''. A ''saz semai'' is typically in 4 movements, called ''Hane'', ''door'', each movement followed by a ''teslim'' (refrain). The ''teslim'' and the three first ''Hane'' are usually in rhythm structure 10/8, unlike the fourth ''Hane'' which will be in 6/4. Like : First ''Hane'' (Rhythm : 10/8) ''Teslim'' (Rhythm : 10/8) Second ''Hane'' (Rhythm : 10/8) ''Teslim'' Third ''Hane'' (Rhythm : 10/8) ''Teslim'' Fourth ''Hane'' (Rhythm : 6/4) ''Teslim'' ==Common Saz Semaisi== Some Saz Semaisi are very known and played in the all makam music area (From Greece to Iraq, and from Iraq to Morocco). Here a few of them : *Samâi al Thakil - also called : Arap saz semai. This samai is in makam Bayati. *Samâi Al-Aryan - also called : Samâi Bayati. *Samâi Shad Araban - Shet Araban Saz Semaisi. Composed by Tanburi Cemil Bey. *Samâi Husseyni. Composed by Tatyos Efendi. *Samâi Nahawand - Nihavend Saz Semaisi. Composed by the son of Tanburi Cemil Bey : Mas'ud Cemil Bey. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「saz semai」の詳細全文を読む スポンサード リンク
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